Barbara Palvin introduced a dose of breezy-but-polished summer time ease to the Resort Martinez on Tuesday, en path to the “Grande Envie” Miu Miu lunch at Resort Belles Rives through the Cannes Movie Pageant, stepping out in a head-to-toe Miu Miu look anchored by a pair of basic leather-based loafers.
She kicked off the look with Miu Miu’s boxy trucker jacket in a cool slate‑blue twill — its earthy brown corduroy collar and matching lining offering the tonal counterpoint. The jacket’s proper‑chest brand patch nodded to that very same chocolate hue, mirroring the trim on her handkerchief‑fashion crop high, which completed in a pointed hem and featured a refined V‑formed cutout at heart entrance.
Barbara Palvin
Jacopo Raule/GC Photographs
The mannequin and spouse of actor Dylan Sprouse paired the boxy high with crispy mid-rise white shorts with a tailor-made match, cinched on the waist by a slim brown leather-based belt with gleaming gold {hardware}. A tonal racing stripe ran down either side of the shorts, nodding to the jacket’s collar and lining, and she or he carried a light-weight scarf in the identical brown‑camel shade for a tonal end.
The ensemble actually hinged on her footwear: Miu Miu’s up to date penny loafers, rendered in clean black leather-based with a softly rounded toe and the label’s gold‑embossed brand stamped throughout the apron strap. Seen tonal topstitching and a low stacked heel lent construction and carry, whereas the sockless styling secured the look’s straightforward‑going, early‑summer time spirit.
Barbara Palvin
Victor Boyko/Getty Photographs for Miu Miu
Magnificence-wise, Palvin saved issues contemporary. Make-up artist Tobi Henney layered on a dewy base and comfortable pink lips for pure luminosity, and hairstylist Owen Gould swept her hair right into a unfastened ponytail, letting delicate wisps body her face for an total informal however polished look.
Palvin’s relationship with Miu Miu traces again to her early profession when she made her runway debut for Prada in Paris, 2010, shortly turning into a fixture at Miu Miu exhibits. The model’s Iconic Footwear line, which incorporates these loafers, riffs on the midcentury American penny idler — initially subverted by prep‑college college students tucking a penny into the saddle for good luck — updating it with supple leathers, tonal stitching and that signature gold‑embossed brand for a quiet‑luxurious twist.
The 2025 Cannes Movie Pageant concludes on Saturday. Movies premiering at this 12 months’s pageant embrace Wes Anderson’s “The Phoenician Scheme,” Julia Ducournau’s “Alpha” and Lynne Ramsay’s “Die, My Love.”
