Dakota Johnson introduced a examine in restraint and delicate detailing to the “Splitsville” picture name on the 78th Cannes Movie Competition. Styled by Kate Younger, the star of Michael Angelo Covino’s new comedy wore a black Gucci midi gown with slender spaghetti straps and a bias-cut silhouette that skimmed her body, stopping simply above the ankle.
The equipment adopted swimsuit. Johnson wore Boucheron’s Avoine head jewel from the Untamed Nature assortment — a white gold and diamond piece tucked into her aspect braid. She accomplished the look with Vendôme Liseré diamond stud earrings and a recycled gold ring of interlocking bands. Her hair, styled by Mark Townsend, was swept right into a low braid with a deep aspect half. Make-up artist Georgie Eisdell saved the wonder look mushy: a delicate smoky eye, blush-toned cheeks and a nude lip.

Dakota Johnson at “Splitsville” Photocall – The 78th Cannes Movie Competition at Palais des Festivals on Could 19, 2025 in Cannes, France.
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The repetition of tremendous strains — from the gown straps to the barely-there sandals — underscored the outfit’s minimalist precision. Johnson wore black patent heels with slim toe straps and delicate ankle buckles punctuated by a silver steel element, exhibiting off tattoos throughout her foot. The footwear mirrored the clear geometry of her gown and jewellery, reinforcing a stripped-back, sculptural sensibility.

Kyle Marvin, Adria Arjona, Dakota Johnson and Michael Angelo at “Splitsville” Photocall – The 78th Cannes Movie Competition at Palais des Festivals on Could 19, 2025 in Cannes, France.
Earl Gibson III
The look suits inside a transparent throughline in Johnson’s Cannes wardrobe this yr. On the Kering Girls in Movement Awards, she wore a sheer Gucci robe embroidered with micro-crystals and framed by translucent sleeves — one other examine in texture over extra. For the premiere of “The Second Act,” she selected a pastel-pink Gucci gown coated in tiered fringe, paired with matching metallic platforms. Even in additional playful silhouettes, Johnson’s focus has remained on intentional materiality and motion.
The restrained palette and unfussy silhouettes mark a departure from overt embellishment, reinforcing a extra edited and refined strategy to purple carpet dressing that has quietly outlined Johnson’s Cannes appearances.

Adria Arjona and Dakota Johnson at “Splitsville” Photocall – The 78th Cannes Movie Competition at Palais des Festivals on Could 19, 2025 in Cannes, France.
Earl Gibson III/Deadline
The 2025 Cannes Movie Competition concludes on Could 24. Movies premiering at this yr’s pageant embody Wes Anderson’s “The Phoenician Scheme,” Julia Ducournau’s “Alpha” and Lynne Ramsay’s “Die, My Love.”

