PARIS — As the one design occasion throughout Paris Style Week, Matter and Form is benefiting from ongoing curiosity in design collectibles and bridges between trend and interiors.
The second version of the four-day occasion within the Tuileries gardens, held from March 7 to 10, was heralded as a powerful success, with customer site visitors up 65.8 % year-on-year to succeed in 13,265, in line with organizer WSN.
“Throughout trend week, our mission with Matter and Form was to encourage, shock and entice inventive professionals, who’re more and more mixing between universes, to discover a territory that’s at that crossroads,” defined WSN chief govt officer Frédéric Maus. “It’s way more than a commerce present. I feel it’s one thing the trade was ready for, by way of the combo. Nearly all of guests are professionals, however there’s additionally a proportion of the cool crowd.”
The present was directed by Matthieu Pinet with inventive course by Dan Thawley, with the house designed by Canadian architect Willo Perron of Los Angeles-based Perron Roettinger Studio. It was staged as a celebration of the centenary of the 1925 Worldwide Exhibition of Ornamental and Industrial Trendy Arts, which popularized the Artwork Deco motion, with an exhibition curated by Thawley that includes objects from the period, together with the exhibition’s catalog and memorabilia.

The catalog from the 1925 Worldwide Exhibition. Picture by Charlotte Robin
Matter and Form stated it drew inspiration from this pivotal second in design historical past and the long-lasting Pavillon de l’Esprit Nouveau, designed by Le Corbusier, Pierre Jeanneret and Amédée Ozenfant.
With a relaxed ambiance centered on discovery and expertise, the occasion was a far cry from the standard commerce present format, with areas to hang around and dine and talks with high-profile trade figures.
Maus continued, “It’s an infinite enterprise alternative for exhibitors. We had 350 requests, and we chosen 60 manufacturers, of whom round 15 are returning exhibitors. It’s actually an occasion that in two years has discovered its house within the ecosystem.”
The cross-disciplinary house mixed industrial and object design, inside design, trend and the ornamental arts, with a mixture of established names and rising designers.
There have been a number of gathering areas, a boutique and bookstore, a pop-up restaurant in partnership with We Are Ona, a takeaway restaurant and café in collaboration with Sacai designer Chitose Abe, whereas Byredo partnered with the occasion, fragrancing the house.

Contained in the We Are Ona pop-up restaurant at Matter and Form. Picture by Benoit Florençon
Benoit FLORENCON
The Jil Sander Design Talks, in partnership with Milan-based KoozArch, featured well-known design professionals and lined topics together with structure, French craftsmanship and philosophy of the house.
There was a showcase for Joya, a brand new worldwide jewellery honest, whereas Brussels-based design honest Collectible introduced a number of tasks in an area designed by Heim+Viladrich, serving as a preview for its reveals in Brussels and New York later this 12 months.
Amongst guests, Jenny D. Pham, a former trend advertising govt who cofounded design studio Objects Are By together with her artist husband, Phil America, in 2022, praised the idea. “The present feels image-first, moderately than sales-first; it’s vital to do this on this time of uncertainty,” she stated. “We need to see interdisciplinary conversations, creativity doesn’t have to be siloed,” stated Pham.
“It takes lots to exhibit progressive design in a metropolis like Paris, particularly throughout Paris Style Week,” stated Jasmine Lam of Manhattan-based Jasmine Lam Design Studio. “The Matter and Form present on the Tuileries reveals that they’re making an enormous effort to determine an progressive design exhibition in Paris. Contemplating there are such a lot of design reveals in Paris all year long, Matter and Form produced an exquisite present that I hope expands and reveals extra progressive and rising designers going ahead,” she continued.
Lam praised the varied nature of the provide, with designers from all around the world and a mix of main names, together with Formafantasma, Lobmyer and Vitra, with extra rising creatives. “I used to be drawn to Daisuke Yamamoto’s (Japan) steel furnishings constituted of constructing building insulation supplies in an exquisite iridescent end and Shaha Raphael’s (Lebanon) forged concrete furnishings. I additionally appreciated No Ga’s (Sweden) retro impressed forged fiberglass polymer furnishings and will see integrating this right into a Manhattan residential venture of ours. The vegan leather-based supplies by MycoWorks (U.S.) was an thrilling new leather-based upholstery different manufactured from fungi (reishi and different plant merchandise).”
Because the honest gathers steam, there have been additionally numerous exterior occasions from exhibitors and non-exhibitors alike throughout city, together with India Mahdavi’s Challenge Room N°18: One other Grammar of Decoration, curated by Dan Thawley.

Objects Are By’s hat stand for Ruslan Baginskiy.
Pham and America of Objects Are By, as an illustration, had been on the town to current one among their newest tasks, a sculptural hat stand constituted of recycled auto components for Ruslan Baginskiy they had been presenting in his showroom close by. Subsequent up for Objects Are By is a line of porcelain and blankets created for rapper Nas, due out in April.
Listed below are a few of the highlights from Matter and Form:

Fassen / Picture by Tom Dagnas
Fassen
Becoming with the Artwork Deco theme of the occasion, younger design publishing home Fassen introduced its reedition of Paul Poiret’s iconic armchair, the primary time the seat evoking backyard trellises has been reedited in its century of existence. French sculptor Sébastien Gschwind, who created Fassen in 2023, studied previous images — largely in black and white — and archival descriptions of the piece, notably from Man Ray, to faithfully recreate the precise shades of inexperienced and pink of the unique design. The chair is made in France from oiled strong beech and can be accessible in a pure end. Gschwind’s mission with Fassen is to revive archetypes from historical past, placing the emphasis on their narrative drive. The designer grew up in Alsace and educated on the Ecole des Beaux-Arts in Nancy. He has taught artwork and structure for 15 years, and was artist-in-residence on the Fondation Hermès in 2011.

The Rebus assortment by India Mahdavi for CC-Tapis. Picture by Mickaël Llorca
Rebus by India Mahdavi
A results of the continuing collaboration between India Mahdavi and Italian specialist rugmaker CC-Tapis, the Rebus assortment is designed like a colourful puzzle, combining abstraction with symbolism like a hidden language within the designs. Produced in Nepal, every bit is knotted by hand, alternating wool threads in various saturations to create graduated hues. The 4 completely different designs had been previewed at Matter and Form forward of their official launch in Milan on the Salone del Cell subsequent month.

Willo Perron for No Ga. Picture by Mickaël Llorca
Willo Perron for No Ga
Swedish interiors retailer Nordista Galleriet (No Ga) partnered with Willo Perron to create a variety of modular furnishings, staging their launch on the occasion. Designed to be mixed and reconfigured in a mess of the way, the items are constituted of forged glass fiber, coated and polished by hand to create a high-gloss end and accessible in 5 completely different colours. “Most of my designs begin from figuring out one thing that’s lacking — both in a venture or in my very own life,” stated Perron. “For example, I’ve all the time discovered espresso tables problematic. Should you change your sofa or have a modular setup, an ordinary espresso desk turns into out of date. The thought behind the gathering got here from wanting one thing modular that might adapt as you progress or reconfigure your house.” No Ga CEO Axel Soderberg said, “The thought of this assortment evolving over time suits nicely with our dedication to timelessness, and our purpose to draw a youthful technology to design.” The Porthole mirrors, in addition to being displayed on its stand, featured contained in the We Are Ona restaurant.

The Frama set up at Matter and Form. Picture by Tom Dagnas
Frama
Copenhagen-based life-style model Frama, which creates what it describes as “future classic” items highlighting brute supplies, provides furnishings, life-style objects, self care and perfume. In addition to a number of bestsellers in an set up supposed to focus on materiality and performance, the model teased its new stackable chair popping out this June, accessible as a full aluminum model for out of doors use, focusing on the hospitality trade, as an illustration, in addition to a leather-clad model designed to tackle a patina over time. It was additionally highlighting its private care and perfume provide in a showroom elsewhere within the metropolis.

Hyères Design Parade winners Sacha Father or mother and Valentine Tiraboschi’s set up. Picture by Tom Dagnas
Sacha Father or mother and Valentine Tiraboschi
Winners of the 2024 Design Parade Hyères, Sacha Father or mother and Valentine Tiraboschi created Stucco Pavilion, impressed by the 1925 Polish pavilion in Paris. The 2 younger designers, who educated at ENSCI Les Ateliers and Les Compagnons du Tour de France, usually work on historic monuments. As a type of utilized analysis, they hyperlink historical crafts with present design points. For his or her venture for the present, they used workers and sand ornamentation to create inside items like mirrors and decorative cabinets, all in white, with sculptural volumes supposed for home functions.

A design by Gabrielle Greiss.
Gabrielle Greiss
Former designer Gabrielle Greiss — who labored at labels together with Martine Sitbon, Sonia Rykiel and Chloé, in addition to designing underneath her personal title — lately returned to highschool, coaching in drawing and sculpture on the Beaux-Arts in Paris. Her Fables Etcetera assortment, peopled with mysterious animals sculpted from bronze and staged like a curiosity cupboard, is an element jewellery, half paintings, impressed by a childhood go to to Schatzkammer of Munich’s Residenz when she was a toddler and by La Fontaine’s fables. Her set up was a part of the Joya exhibit.

Natalia Criado’s Escritorio assortment. Picture by Claudia Zalla and Giulia Fauro
Natalia Criado
The Milan-based Colombian designer introduced a brand new assortment of workplace equipment, “Escritorio,” supposed to raise the day by day workplace expertise. The ten items, together with a pill holder, cellphone holder and paperweight, mix her signature geometric shapes impressed by a mix of pre-Colombian archaic artwork and trendy structure utilizing strategies like steel handing over brass with a silver end set with pure stones like quartz and lapis lazuli. Each bit is one among a form.

The Sanayi313 sales space. Picture by Tom Dagnas
Sanayi313
Ten-year-old Turkish design studio Sanayi313, based by Enis Karavil, introduced an expanded model of its 313 assortment, impressed by the economic coronary heart of Istanbul’s industrial Maslak district, the place the studio is predicated in a transformed auto restore store. A mix of boldness and minimalism, the items on present mix low, block-like profiles with dynamic types and rounded edges, highlighting the marbled grain of ash veneer. Alongside chairs, espresso tables and stools, additions included a three-panel folding display and new equipment together with bookrests, jewellery bins and stackable trays, all crafted from a mix of ash veneer and black lacquer. The studio additionally introduced its first lighting piece, the 08313 ground lamp, with a pillar-like form with an wooden veneer physique and fantastic veneer lampshade that produces a heat, glowing gentle.

Grun’ by Faina by Victoria Yakusha. Picture by Mickaël Llorca
Grun’ by Faina
Victoria Yakusha, the inside designer and architect behind Yakusha Studio, created an immersive set up reflecting her “reside minimalism” method. Her designs are supposed to transcend the standard position of furnishings to change into residing entities, an idea known as “animism.” Her Grun’ assortment was impressed by the forests of Polisia, and included a spherical, flickering lamp supposed to evoke gentle filtering by a cover of timber. Her armchair was designed as a conduit between previous and future, its broad base supposed to channel the earth’s vitality whereas its antenna-like again reaches towards the sky. The form of a bench resembled a legendary woodland creature, whereas the Volyk bench, named after the Ukrainian phrase for freedom, was supposed to evoke Ukraine’s independence and resilience.

