The business’s most prestigious furnishings manufacturers flaunted their wares to an adoring crowd of design fanatics, architects and inside designers who thronged the cavernous halls of Salone del Cell 2025. Here’s a curated listing of essentially the most visionary reveals and installations redefining luxurious interiors this yr.
Cassina
Cassina commemorated the sixtieth anniversary of its partnership with Le Corbusier, Pierre Jeanneret and Charlotte Perriand with its “Staging Modernity” show throughout Milan Design Week 2025. The primary 4 furnishings fashions Cassina created from the trio’s 1929 concepts, which had been first displayed on the Salon d’Automne in Paris, are being reintroduced on the restored Teatro Lirico Giorgio Gaber. Cassina and Kiton created a singular cloth to ship limited-edition items which can be obtainable in 120 items globally. Kiton’s mixture of blue and burgundy produces two bi-colour variations of the armchair. Le Corbusier, Perriand and Jeanneret’s design philosophy, which believed that color was essential to defining spatial concord, is mirrored on this color choice.
The most effective Mongolian farms present the fibre for Kiton’s wool manufacturing facility. A major development in design manufacturing was made when Cassina’s R&D crew, working with historians, painstakingly examined the unique blueprints to carry these handcrafted objects into industrial manufacturing. Architect Andrés Jaque, artist Feifei Zhou and thinker Emanuele Coccia all contributed to the much-discussed exhibition organized by Formafantasma and directed by Fabio Cherstich. This interdisciplinary strategy strengthens Cassina’s place in creating modern design narratives by highlighting the corporate’s dedication to fusing historic authenticity with fashionable innovation.
B&B Italia
A classy improvement of Patricia Urquiola’s unique 2005 design, the Tufty-Time 20 was unveiled by B&B Italia to mark the twentieth anniversary of the famend Tufty-Time sofa. With extra padding and a thicker Dacron layer between the material and polyurethane core, this revised modular system improves consolation with out sacrificing its distinctive deep-sitting and low-slung profile. The seat top is barely raised to create higher ergonomics.
The curved module is a noteworthy characteristic that broadens the vary of configuration choices to incorporate rounder designs applicable for business and residential settings. A brand new chenille cloth with a bouclé look is now obtainable for the couch, including a component of class to the general feel and look. The Tufty-Time 20 emphasises sustainability by being wholly disassembled, which allows the recycling or reuse of its components on the finish of its helpful life. Along with the couch, B&B Italia has launched a line of espresso tables that work in unison with the modular system.
Minotti
Picture: Ciatdesign.com
Minotti debuted a vibrant assortment at Salone del Cell 2025 that skillfully combines fashionable design sensibilities with traits paying homage to the Seventies. 5 famend design studios—Examine MK27, Giampiero Tagliaferri, Hannes Peer, Nendo and GamFratesi — contributed to the presentation. Every contributed a special viewpoint, creating 5 distinctive settings that showcase Minotti’s dedication to creativity and craftsmanship.
With an emphasis on cosy, welcoming areas marked by embracing curves and cautious materials choice, the exhibition sought to enchantment to seasoned followers and a youthful viewers. This technique demonstrates Minotti’s dedication to altering its design language with out sacrificing the class and high quality which have come to outline the model. For the 2025 assortment, Minotti demonstrated its capability for innovation and adaptation, guaranteeing its continued relevance in fashionable furnishings design.
Moroso
Moroso debuted its “Regular / Non-Regular” assortment at Salone del Cell 2025, a daring investigation of design that questions established conventions. In accordance with this topic, “regular” is what we contemplate appropriate, safe and sensible in life; it’s an invite to defy expectations. However Moroso additionally introduced a counter-movement through which a brand new design language melded with the “regular” issues via the “non-normal” facets of polymorphic, fluctuating forces. Revolutionary items from this assortment embrace the “Gruuvelot” couch, which has an natural form and was impressed by the “morphing” that happens in lots of dwelling, pure issues. The free-spirited ambiance of the Seventies, with its flowing form and dynamic modularity, served as one other inspiration. In distinction to traditional strategies, Patricia Urquiola’s design for the couch’s cloth makes use of a water-based printing approach that reduces water use by 90 p.c and greenhouse fuel emissions by as much as 80 p.c.
Moroso’s Clay armchairs sport shimmering ceramic metallic backrests, designed by Zanellato/Bortotto. Picture: Moroso.
The “Clay” armchair by Zanellato/Bortotto, which is the opposite noteworthy merchandise from Moroso 2025’s assortment, has a particular backrest composed of slabs and skinny sheets of ceramic materials manufactured by artists who’re solely discovered within the city within the Veneto space of Italy. The cushioned, luxurious armchair boasts a putting backrest that gleams due to its priceless glazing technique.
Molteni & C
By way of a number of rigorously chosen installations, Molteni&C demonstrated its dedication to design innovation and legacy at Salone del Cell 2025. New items like Vincent Van Duysen’s Aria desk and Linea armchair, GamFratesi’s Lia armchair, Christophe Delcourt’s Emile couch and Tobia Scarpa’s republished Monk chair had been featured within the “Letters to Milan” set up. As well as, varied objects and equipment honouring Ponti’s legacy had been on show on the “Gio Ponti Objects” exhibition, which was organised in affiliation with the Ponti heirs and the Gio Ponti Archive.
With interiors created by Van Duysen to imitate the house of an artwork and design collector, the model’s flagship retailer, Palazzo Molteni, supplied company with an immersive expertise by skillfully fusing fashionable and conventional types in varied dwelling areas. Moreover, reiterating the model’s dedication to traditional design, Molteni&C unveiled a brand new armchair model and upgraded supplies for the famend “Monk” chair, which was first created by Afra and Tobia Scarpa in 1973.
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