EXCLUSIVE: TF1 is France’s largest industrial broadcaster with an unscripted output that features the native variations of Survivor, The Masked Singer and Dancing With The Stars. Regionally, it has codecs together with Star Academy, Grasp of the Recreation and The Parisian Company, which is on Netflix globally.
The following flip of the wheel in unscripted is all about ‘gamification’, Julien Degroote, EVP and Head of Content material Growth on the broadcaster tells Deadline in an unique interview. That applies throughout any quiz, shiny ground and actuality exhibits, and defines what TF1 desires in its unscripted fare, he goes on to clarify.
“What feeds our ideas is an enormous pattern of what we name ‘gamification,’” Degroote says. “For us, that’s the pattern that’s driving all the trade and fueling all our considering.”
In an period of limitless viewing selections and competitors from deep-pocketed streamers, it’s tougher than ever to have large, shiny mainstream hits. Whether or not it’s TF1, or ITV within the UK, ProSieben in Germany, or Telecinco in Spain, the large industrial networks nonetheless command mass audiences, however must work tougher than ever for these eyeballs.
Add within the spiraling prices of scripted TV – with budgets even Europe’s largest broadcasters are struggling to cowl – and getting unscripted hits on air turns into extra necessary than ever. That has knowledgeable TF1’s strategic method.
“I might say gamification is the pattern for 3 causes,” says Degroote. “The primary one is about enjoyable. With all of the fears and darkish information around the globe, now we have to supply issues which are gentle, entertaining, colourful and feel-good.”
The TF1 exec factors to Fremantle-produced Grasp of the Recreation – TF1’s reply to The Traitors, which is on rival channel M6 – and quiz present 1 To 10 as examples of exhibits that lean into escapism. 1 To 10 was a paper format that TF1 tried out with a two-episode order final 12 months. It has now greenlit extra episodes.
“The second purpose for gamification one is co-viewing – having a recreation and enjoying with your loved ones or with buddies,” Degroote says. “It may very well be a quiz, or an investigation recreation like Grasp of the Recreation, the place you’re going to attempt to discover out who’s the confederate. The thought is to familiarize folks with co-viewing. With these sort of exhibits we convey folks collectively in entrance of the TV.”
Degroote’s third purpose for leaning into gamification is getting viewers invested sufficient to play alongside. “Let’s say for The Masked Singer, you are attempting to search out out the celebrities behind the masks,” he explains. “In case you are concerned emotionally and lively, you create a bond with the present and also you need to come again subsequent week.”
New Exhibits & Retrofits
By way of new exhibits that play into the gamification pattern, TF1 has simply greenlit Sea Battle, which transports the ship-sinking board recreation to an enormous set, as revealed by Deadline final week. It hails from Arthur Essebag’s Satisfaction Group.
Degroote lifts the lid on one other paper format from Satisfaction, which TF1 will check out on air. It has the working title Focus.
Satisfaction boss Essebag is a widely known host and can entrance the quiz present. “It should take a look at all completely different skills of the mind; logic, reminiscence and so forth,” Degroote explains. “You’re going have eliminations, and on the finish you could have just one left for the ultimate spherical. In the event that they show they’ve probably the most full mind, they get the jackpot.” Filming takes place this month.

Seefood
TF1 additionally snagged The Field, out of codecs hotspot Norway. Produced and distributed by indie producer Seefood, it’s most likely the buzziest new format within the worldwide market proper now. ITV and RTL within the Netherlands are among the many different big-name patrons. The present has contestants locked in yellow bins that open in a shock location whereupon gamers instantly face an surprising problem. “That’s the right instance of gamification,” Degroote says.
Gamification will also be retrofitted to present franchises, the TF1 unscripted exec provides. That occurred with Endemol France-produced singing competitors Star Academy, which has been rebooted in latest occasions. “We added some gamification parts. For instance, we determined to present the three contestants up for elimination a problem the place they’re on stage on the similar time, singing components of the identical music.”
New Actuality
TF1’s definition of gamification – exhibits which are enjoyable and escapist, drive co-viewing and encourage enjoying alongside – speaks to the broader objectives of any mainstream broadcaster, which is successful large, broad audiences for his or her flagship channels.
The large broadcasters all even have extra specialist digital channels. In TF1’s case, it has digital networks together with TMC and TFX. The latter is youth-skewed with exhibits resembling Tattoo Fixers. It could be too small for TF1, however performs effectively to a extra focused viewers.
If quiz, shiny-floor, and on-location serialized exhibits are three classes of unscripted TF1 wants for its major channel, a fourth class is added on the DTT channels, which is actuality.
TMC is about to launch a spin-off from The Parisian Company: Unique Properties, a actuality collection following the Kretz household and their luxurious actual property enterprise. The brand new present, New Locations, follows two brothers from the household as they search for lux property in fascinating worldwide locales. Netflix took worldwide on the primary season and is a co-pro accomplice on subsequent runs. As of now, it’s not connected to the brand new present, which is about to launch.
Gamification as set out by TF1 is codifying a few of the core ideas that large mainstream broadcasters stand by – providing entertaining, inclusive, conversation-starting TV. For producers pitching to TF1 and others, it’s price having in thoughts the gamification parts that TF1 and others are in search of as they scout for the following breakout unscripted hit. In any case, everybody desires to get forward of the sport.

